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	<title>THX.com &#187; THX cineSpace Partners</title>
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	<link>http://www.thx.com</link>
	<description>Official site of THX.</description>
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		<title>eyeone Software Inc. Partner Profile</title>
		<link>http://www.thx.com/professional/thx-technology-professional/thx-color-science/eyeone-software-inc-partner-profile/</link>
		<comments>http://www.thx.com/professional/thx-technology-professional/thx-color-science/eyeone-software-inc-partner-profile/#comments</comments>
		<pubDate>Thu, 01 Mar 2012 23:08:24 +0000</pubDate>
		<dc:creator>rhennigan</dc:creator>
				<category><![CDATA[THX Color Science]]></category>
		<category><![CDATA[THX cineSpace Partners]]></category>

		<guid isPermaLink="false">http://www.thx.com/?p=7632</guid>
		<description><![CDATA[eyeon Software Inc. is dedicated to post production through visual effects and advanced image processing. Home to Fusion™, Rotation®, Dimension®, and Generation® AM, eyeon supports award-winning visual effects and stereoscopic studios, post-production facilities, broadcast networks, game developers, and all manner of visual manipulation artistry worldwide.]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-7633" title="eyeone Software Inc." src="http://www.thx.com/files/2012/03/eyeon-logo.jpg" alt="" width="616" height="162" /></p>
<p>eyeon Software Inc. is dedicated to post production through visual effects and advanced image processing. Home to Fusion™, Rotation®, Dimension®, and Generation® AM, eyeon supports award-winning visual effects and stereoscopic studios, post-production facilities, broadcast networks, game developers, and all manner of visual manipulation artistry worldwide.</p>
<h3>Fusion Visual Effects</h3>
<p>Fusion™ is a full-featured, OpenGL and OpenCL GPU-accelerated node, timeline, and spline compositing environment, with built-in backend tools via a powerful scripting engine. Fusion offers a combined 2D and real 3D environment for limitless visual effects creativity. eyeon&#8217;s universal approach to developing Fusion resulted in the same performance and interactive user experience on Windows as well as Linux, with the same rendering results in mixed OS environments.</p>
<div id="attachment_7635" class="wp-caption alignnone" style="width: 626px"><a class="thickbox" href="http://www.thx.com/files/2012/03/CineFusion_in_Fusion-large.jpg"><img class="size-full wp-image-7635   " title="CineFusion" src="http://www.thx.com/files/2012/03/CineFusion.jpg" alt="" width="616" height="326" /></a><p class="wp-caption-text">CineFusion in Fusion - Click to enlarge</p></div>
<h3>Fusion Color Science</h3>
<p>Fusion’s color engine has been widely acclaimed for advanced color management and offers ease-of-design functionality. Fusion’s feature-rich color toolset allows for individual and animated adjustments of every color parameter. Support for color depths, including Integer 8 bit, Integer 16 bit, Float 16 and Float 32, allow for maximum quality and flexibility with the Fusion environment.</p>
<p>Generation AM is an innovative desktop of the acclaimed Generation visual effects toolset. With tight deadlines, revision management and team-based requirements, Generation AM excels at providing a flexible desktop for studios to manage many projects, shots, versions and elements. Customizable, scriptable and designed for teams, Generation AM is simple to integrate and to manage existing production environments.</p>
<p>Rotation is designed specifically to team up with eyeon Fusion for film production pipelines. This suite of tools has been defined for the exacting demands of Rotoscoping, Keying and Retouching. The integrated scripting and bins system allow Rotation to plug together as part of the collaborative workflow. However it has also been adopted by other S3D and conversion environments due to its leading roto capabilities. Large departmentalized film facilities can now use this cost-effective solution to create roto mattes, while retouched clean plates can be funneled to the senior compositing suites for finishing.</p>
<p>Dimension is a new technology that has been developed to offer stereo production facilities the ability to achieve essential image estimation techniques quickly and cost effectively. The focus has been to solve a number of real world S3D production complications, such as polarization color differences from mirror rigs, defocus and timing sync differences between two cameras, alignment tools and many other challenges.</p>
<p><strong>To learn more about eyeon Software, please visit <a href="http://www.eyeonline.com">www.eyeonline.com</a> or contact <a href="mailto:sales@eyeonline.com">sales@eyeonline.com</a>. </strong></p>
<p><strong> </strong></p>
<p><strong> </strong></p>
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		<title>Quantel Partner Profile</title>
		<link>http://www.thx.com/professional/thx-technology-professional/thx-color-science/quantel-partner-profile/</link>
		<comments>http://www.thx.com/professional/thx-technology-professional/thx-color-science/quantel-partner-profile/#comments</comments>
		<pubDate>Fri, 18 Nov 2011 01:20:50 +0000</pubDate>
		<dc:creator>rhennigan</dc:creator>
				<category><![CDATA[THX Color Science]]></category>
		<category><![CDATA[THX cineSpace Partners]]></category>

		<guid isPermaLink="false">http://www.thx.com/?p=7106</guid>
		<description><![CDATA[Quantel is a world-leading developer of innovative, high performance content creation and delivery systems across post, broadcast and Stereo3D. Quantel's product range includes: eQ HD finishing systems; iQ multi-resolution DI systems, award-winning Pablo Neo color correction solutions; stereoscopic 3D post systems and integrated news and sports production systems. ]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.thx.com/files/2011/11/Quantel-logo.jpg" alt="" title="Quantel" width="500" height="109" class="alignnone size-full wp-image-7108" /></p>
<p>Quantel is a world-leading developer of innovative, high performance content creation and delivery systems across post, broadcast and Stereo3D. Quantel&#8217;s product range includes: eQ HD finishing systems; iQ multi-resolution DI systems, award-winning Pablo Neo color correction solutions; stereoscopic 3D post systems and integrated news and sports production systems. They all deliver the creative, productive and profitable workflows that give post houses and broadcasters the edge they need to thrive and grow in today’s highly competitive global media market. </p>
<h3>Pablo – DI color correction and finishing</h3>
<p>Pablo is the ultimate color correction and finishing solution for HD, 2K, 4K and Stereoscopic 3D &#8211; proven on thousands of movies, commercials and programs in the hands of leading colorists around the world. It puts all the creative color correction tools at the colorist’s fingertips in an interactive, hands-on color correction environment. Pablo’s powerful color tools all run in a non-linear environment – where changes are easily accommodated at any stage. It also means that the colorist and client can view every shot in its correct editorial – and even compositional – context, transforming the entire post workflow into a fast, collaborative and creative process.</p>
<p><img src="http://www.thx.com/files/2011/11/quantel-pablo.jpg" alt="" title="Quantel Pablo" width="616" height="285" class="alignnone size-full wp-image-7109" /></p>
<h4>Non-linear, multi-layer, in-context color correction</h4>
<p>With Pablo there’s no waiting or wasted time. Its immensely powerful hardware makes color correction a truly interactive process. With Pablo the director can sit with the colorist and instantly see results of changes on screen at full resolution without proxies or previews. Pablo’s non-linear operation gives instant access to any part of the entire project, meaning colorists and directors can instantly see the way individual shot treatments work next to each other, even including dissolves, wipes and other transitions. Nothing is committed until output; the whole project remains live throughout the process so multiple treatments can be quickly tried without penalty.</p>
<h4>Every format</h4>
<p>Resolution Co-existence means Pablo offers complete format flexibility, able to handle everything from SD and HD to 2K and 4K material simultaneously on the same timeline. Pablo always works with full resolution material in its original format and colorspace, whether it’s HD-RGB, 2K, 4K or CGI files – or a combination of them all. </p>
<h4>Stereoscopic 3D</h4>
<p>Pablo includes a comprehensive Stereo3D toolset as standard. Pablo’s enormous power offers realtime handling of dual left eye/right eye high resolution media; the Stereo3D toolset takes care of all the issues interactively – just the way clients expect.</p>
<h4>Highest quality</h4>
<p>Pablo’s high quality processing ensures that the final look exactly matches the director’s vision. This means the director and colorist can have total confidence that what they see on screen is exactly what the viewers will get in the movie theater. Conversion to the target format(s) only happens on output, meaning that ultimate quality is maintained throughout the DI process. </p>
<h4>All round DI capabilities</h4>
<p>Pablo is more than a color corrector; it is also a complete digital intermediate system in a box. Pablo has everything you might need in the session instantly to hand, from paint and retouching tools to fix problems through to editing functionality that allows directors to change their minds without a hefty time or cost penalty.</p>
<p>This means that Pablo can handle the whole job in an enormously efficient manner, from assembly, pre-viz, effects and of course color correction to trailers, titles and deliverables well as being a highly productive solution for restoration projects. And combining Pablo with Genetic Engineering gives even more efficiency gains. </p>
<h4>Deliverables</h4>
<p>Deliverables are a key element of the DI process – and a profitable one too. When the color work is done, Pablo has all the tools to enable you to rapidly output versions to cover every need. Re-sizing, reframing, 3D LUTs and pan-and-scan are all handled on-the-fly in realtime on output without having to make copies. Every format is supported from 4:3 and 16:9 SD to HD, 2K and 4K.</p>
<h4>More about Quantel at <a href="http://www.quantel.com">http://www.quantel.com</a><br />
</h4>
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		<title>Digital Vision Partner Page</title>
		<link>http://www.thx.com/professional/thx-technology-professional/thx-color-science/digital-vision-partner-page/</link>
		<comments>http://www.thx.com/professional/thx-technology-professional/thx-color-science/digital-vision-partner-page/#comments</comments>
		<pubDate>Fri, 11 Nov 2011 20:31:05 +0000</pubDate>
		<dc:creator>rhennigan</dc:creator>
				<category><![CDATA[THX Color Science]]></category>
		<category><![CDATA[THX cineSpace Partners]]></category>

		<guid isPermaLink="false">http://www.thx.com/?p=7088</guid>
		<description><![CDATA[Digital Vision is the leading supplier of colour grading, finishing, mastering, restoration and film scanning solutions for the broadcast, film, commercials and archive industries.

]]></description>
			<content:encoded><![CDATA[<p><img class="size-full wp-image-8092 alignnone" title="Digital Vision Logo" src="http://www.thx.com/files/2011/11/DV-Logo.jpg" alt="" width="440" height="78" /></p>
<p>Digital Vision is the leading supplier of colour grading, finishing, mastering, restoration and film scanning solutions for the broadcast, film, commercials and archive industries.</p>
<h3>Media Products:</h3>
<ul>
<li><strong>Nucoda: </strong>The flagship Nucoda software products provide a suite of colour grading and finishing solutions used in film and television post production. The Nucoda product line works with multiple camera and file formats, allowing a collaborative workflow and delivering finished content for different viewing platforms including stereoscopic 3D.</li>
<li><strong>Phoenix:</strong>The restoration of film and tape-based content is a balance of quality versus return on investment, whether delivering media for DVD/Blu-ray, HDTV, Digital Cinema, or simply archiving. Combining the best in automated, semi-automated and manual image enhancement and restoration tools, the Phoenix products are used extensively for film and video restoration, media repackaging and archives.</li>
<li><strong>Golden Eye:</strong> Originally developed over 20 years for automotive testing and air defence reconnaissance, the Golden Eye has matured into the leading film scanner for DI, restoration and archive. With a high-quality LED light source providing unparalleled image quality, previously unavailable at this price point, the Golden Eye III scanner with Phoenix restoration software solutions provides workflows for end-to-end DI and restoration.</li>
</ul>
<p><img class="alignnone size-full wp-image-7092" title="Nucoda Film Master" src="http://www.thx.com/files/2011/11/Image-Systems-Nucoda-Film-Master.jpg" alt="" width="616" height="285" /></p>
<h3>Nucoda: Colour grading and mastering solutions</h3>
<p>Digital Vision&#8217;s Nucoda range of grading and mastering solutions have been used on many of the best known films, commercials, documentaries, music videos and television programs across the globe. Our technology guarantees the best and most creative look and feel of television projects such as CSI, the highest rated drama series worldwide; the hugely successful Game of Thrones; the Emmy Award winning Californication;  Breaking bad, the winner of six Emmy Awards; the 3D animated series The Clone Wars by Pixar; 60 Minutes ranked #6 on the US TV guide’s 50 greatest TV shows of all time; and the hugely successful animated series Family Guy nominated for 12 primetime Emmy Awards, Oscar winning documentary The Cove, and many more.</p>
<p>Our latest range of grading solutions have also been used to conform and grade prestigious films such the Oscar winners Toy Story 3, Happy Feet, and Crash; as well as one of the world’s highest-grossing film of 2010 The Chronicles of Narnia: Voyage of the Dawn Treader; the Science Fiction alien invasion film Skyline; Immortals and Mirror Mirror directed by Tarsem Singh from the producer of 300; the latest Cars 2 adventure and Pixar’s upcoming (remove upcoming) feature Brave.</p>
<p>Developed in conjunction with renowned colourists and a leading industrial design house, the Precision panel is the next generation integrated control surface for the Nucoda grading solutions.</p>
<p>As part of Digital Vision’s continued commitment to provide customers with enhanced grading solutions the latest Nucoda release software includes the THX cineSpace colour management tools (64-bit).</p>
<p><strong>See the current list <a href="http://www.digitalvision.tv/media-bu/about/customers.aspx">http://www.digitalvision.tv/media-bu/about/customers.aspx</a><br />
<a href="http://www.digitalvision.tv/">www.digitalvision.tv/</a></strong></p>
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		<title>Cine-tal Partner Page</title>
		<link>http://www.thx.com/professional/thx-technology-professional/thx-color-science/cine-tal-partner-page/</link>
		<comments>http://www.thx.com/professional/thx-technology-professional/thx-color-science/cine-tal-partner-page/#comments</comments>
		<pubDate>Fri, 11 Nov 2011 19:58:24 +0000</pubDate>
		<dc:creator>rhennigan</dc:creator>
				<category><![CDATA[THX Color Science]]></category>
		<category><![CDATA[THX cineSpace Partners]]></category>

		<guid isPermaLink="false">http://www.thx.com/?p=7082</guid>
		<description><![CDATA[DAVIO Calibration is a versatile solution for your video monitor calibration needs. Inside DAVIO are two independent 3D LUTs (Look Up Tables) with a 64 point resolution. Each input also supports 1D LUTs for gamma correction or Log - Linear conversion. DAVIO provides the highest level of accuracy available for calibrating your video monitors, projectors and workstation monitors.
]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.thx.com/files/2011/11/davio-logo-616.jpg" alt="" title="Davio Logo 616W" width="616" height="104" class="alignnone size-full wp-image-7083" /></p>
<p>DAVIO Calibration is a versatile solution for your video monitor calibration needs. Use with cineSpace to profile HDSDI and HDMI monitors then build 1D and 3D LUTs for calibration and emulation of other display systems like film and digital signage. Inside DAVIO are two independent 3D LUTs (Look Up Tables) with a 64 point resolution. Each input also supports 1D LUTs for gamma correction or Log &#8211; Linear conversion. DAVIO provides the highest level of accuracy available for calibrating your video monitors, projectors and workstation monitors.</p>
<p><strong>Applications include monitor and projector calibration for:</strong></p>
<ul>
<li>Production, Post Production, DI, Color Grading, Visual Effects</li>
<li>Use with Plasma, LCD, DVI-D Workstations Monitors, &#038; Digital Cinema Projectors</li>
<li>Calibrate/match up to 3 monitors with each DAVIO Calibration system</li>
</ul>
<p><img src="http://www.thx.com/files/2011/11/davio-product-shot-616.jpg" alt="" title="Davio Product" width="616" height="207" class="alignnone size-full wp-image-7084" /></p>
<h3>Innovative Versatility </h3>
<p>Davio is an innovative approach to the constant change and expansion of video processing needs. The Davio software library provides a diverse set of image processing tools that expand and adapt with changes in workflow, colorspace and image monitoring. </p>
<h3>Expanding Software Library</h3>
<p><strong>The Davio software library provides tools for:</strong></p>
<ul>
<li>Display calibration &#038; emulation</li>
<li> Color pipeline management</li>
<li>3D stereo processing</li>
<li>Frame markers, graticules and cages</li>
</ul>
<p><strong>More information at:  <a href="http://www.Cine-tal.com">www.Cine-tal.com</a></strong></p>
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		<title>ICA Partner Profile</title>
		<link>http://www.thx.com/professional/thx-technology-professional/thx-color-science/ica-partner-profile/</link>
		<comments>http://www.thx.com/professional/thx-technology-professional/thx-color-science/ica-partner-profile/#comments</comments>
		<pubDate>Tue, 25 Oct 2011 19:38:59 +0000</pubDate>
		<dc:creator>rhennigan</dc:creator>
				<category><![CDATA[THX Color Science]]></category>
		<category><![CDATA[THX cineSpace Partners]]></category>

		<guid isPermaLink="false">http://www.thx.com/?p=7009</guid>
		<description><![CDATA[The <strong>International Colorist Academy (ICA)</strong> provides a range of training courses geared towards colorists and post production facilities.  Courses are delivered by independent colorists located around the world and range from basic color theory, digital intermediate and film workflows, telecine and lab grading, client interaction, and looks and styles. ]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.thx.com/files/2011/10/ica-partner-logo.jpg" alt="" title="ICA Partner Logo" width="532" height="162" class="alignnone size-full wp-image-7010" /></p>
<p>The <strong>International Colorist Academy (ICA)</strong> provides a range of training courses geared towards colorists and post production facilities.  Courses are delivered by independent colorists located around the world and range from basic color theory, digital intermediate and film workflows, telecine and lab grading, client interaction, and looks and styles.  The classes and workshops cover a broad range of manufacturer color grading systems and many courses are not system specific.</p>
<p>The ICA was founded in 2009 by colorists, Kevin Shaw and Warren Eagles who between them have over 50 years of grading experience in all areas of the color correction industry. They can also boast over 30 years of training and demo experience. Kevin and Warren are currently working colorists who have pooled their valuable experience in grading Commercials, DI, music and Drama projects, to create hands on colorist training courses. Dado Valentic, Cédric Lejeune, Jeff Olm, Simon Walker, Sascha Haber and Blake Jones have joined the ICA as instructors and helped us expand the range of courses and grading systems that the ICA covers.</p>
<p>The way we color images and the tools we use have changed dramatically in recent times. Colorists are now emerging from many different areas of our industry some even coming from outside the industry. Until now new colorists could hunt for a book or follow a DVD, but what these didn’t give you was real world experience. The ICA offers a wide variety of courses designed to help colorists – and people who work with colorists – develop their skills and expand their understandings of best practices in color science and color correction. </p>
<p>ICA courses can be structured to you or your companies needs; if your market is Commercials, Drama, DI or Music clips, we have it covered, enabling you to gain valuable experience that will help you stand out from your competitors. </p>
<p><strong>For a class schedule and mMore information about the ICA, go to:  <a href="http://www.iColorist.com">www.iColorist.com</a> </strong></p>
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		<title>Pandora International Partner Profile</title>
		<link>http://www.thx.com/professional/thx-technology-professional/thx-color-science/pandora-international-partner-profile/</link>
		<comments>http://www.thx.com/professional/thx-technology-professional/thx-color-science/pandora-international-partner-profile/#comments</comments>
		<pubDate>Tue, 25 Oct 2011 19:34:36 +0000</pubDate>
		<dc:creator>rhennigan</dc:creator>
				<category><![CDATA[THX Color Science]]></category>
		<category><![CDATA[THX cineSpace Partners]]></category>

		<guid isPermaLink="false">http://www.thx.com/?p=6999</guid>
		<description><![CDATA[Pluto is the multi purpose Display Management system from Pandora. Designed for use within the Production and Post-Production industries, the Pluto is a hardware platform from which various applications can be loaded and applied as demand dictates.The current suite of applications include a 3D and 1D LUT manager, a cursor generator and a stereoscopic processor.
]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.thx.com/files/2011/10/Pandora_Lozenge_400x99.png" alt="" title="Pandora International Logo" width="400" height="99" class="alignnone size-full wp-image-7002" /></p>
<p>Pluto is the multi purpose Display Management system from Pandora. Designed for use within the Production and Post-Production industries, the Pluto is a hardware platform from which various applications can be loaded and applied as demand dictates.The current suite of applications include a 3D and 1D LUT manager, a cursor generator and a stereoscopic processor.</p>
<h3>Pluto</h3>
<p>THX cineSpace customers can use the Pluto as a fully integrated hardware solution for monitor profiling, calibration and look management. Firstly the Pluto can be used to profile any display using cineProfiler to automatically control Pluto over ethernet. Secondly, use cineCubeVisual to generate a LUT for the Pluto to then apply to the video stream.<br />
<img src="http://www.thx.com/files/2011/10/Pluto-Pack-Shot1.jpg" alt="" title="Pluto Product Shot" width="616" height="272" class="alignnone size-full wp-image-7003" /></p>
<p><strong>For more information on the PLUTO&#8217;s various applications please visit <a href="http://www.pandora-int.com/products.php?pgid=37&#038;subid=37">www.pandora-int.com</a>.</strong></p>
<h3>Revolution</h3>
<p>Unique to the market place, Revolution is a high performance grading system for installations where ultra-fine grade quality are top of the agenda. Combined with unique features such as Super Real-Time lay off and direct linear control the RevoExpress is the most versatile system on the market with a sophisticated toolset built for, and aimed at, professional Colorists.</p>
<p><img src="http://www.thx.com/files/2011/10/Revo.jpg" alt="" title="Revolution Product Shot" width="591" height="404" class="alignnone size-full wp-image-7004" /></p>
<p><strong>For more information on Revolution please visit <a href="http://www.pandora-int.com/products.php?pgid=1&#038;subid=1">www.pandora-int.com</a></p>
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		<title>Assimilate Partner Profile</title>
		<link>http://www.thx.com/professional/thx-technology-professional/thx-color-science/assimilate-partner-profile/</link>
		<comments>http://www.thx.com/professional/thx-technology-professional/thx-color-science/assimilate-partner-profile/#comments</comments>
		<pubDate>Tue, 04 Oct 2011 20:54:37 +0000</pubDate>
		<dc:creator>rhennigan</dc:creator>
				<category><![CDATA[THX Color Science]]></category>
		<category><![CDATA[THX cineSpace Partners]]></category>

		<guid isPermaLink="false">http://www.thx.com/?p=6849</guid>
		<description><![CDATA[ASSIMILATE is the premier provider of digital workflow and post-production tools, that have proven to be essential in the successful creation of thousands of studio and independent features, television shows, music videos and corporate video productions. ASSIMILATE products work seamlessly with THX cineSpace color management software.]]></description>
			<content:encoded><![CDATA[<div style="margin: 0 0 30px 0; padding: 0 0 40px 0; border-bottom: 2px solid #D1D7D9;">
<p><a style="a: hover=none;" href="http://www.assimilateinc.com/"><img class="size-full wp-image-6850  alignleft" title="Assimilate-logo-partner-profile" src="http://www.thx.com/files/2011/10/Assimilate-logo-partner-profile.png" alt="" width="148" height="148" /></a></p>
<div style="padding: 25px 0 0 0;"><a href="http://www.assimilateinc.com/">ASSIMILATE</a> is the premier provider of digital workflow and post-production tools, that have proven to be essential in the successful creation of thousands of studio and independent features, television shows, music videos and corporate video productions. <em>ASSIMILATE products work seamlessly with THX cineSpace color management software.</em></div>
</div>
<div>
<h3>SCRATCH</h3>
<p><a href="http://www.assimilateinc.com/products-scratch-overview">ASSIMILATE SCRATCH®</a> is the most comprehensive digital cinema imaging and workflow tool for digital post-production workflows. Designed to meet the unique DI workflow challenges of independent and documentary filmmakers, as well as boutique post-production houses, SCRATCH brings together playback, conform, editing, color grading, titling, compositing and finishing into a single, consistent interface that maximizes both creativity and productivity.</p>
<p><img class="alignright size-full wp-image-6861" title="SCRATCH-Film-for-web" src="http://www.thx.com/files/2011/10/SCRATCH-Film-for-web.png" alt="" width="616" height="334" /></p>
</div>
<h4>SCRATCH Benefits:</h4>
<p><strong>Designed for file based workflows</strong> &#8211;  ASSIMILATE was the first DI partner to natively support RED, so it’s no surprise that SCRATCH is the most mature, reliable tool you can buy for digital workflows. SCRATCH offers a unique CONstruct™ view of your shots supports multiple, side-by-side playback and color grading of any number of formats in any resolution to 5k and beyond &#8211; even mix 2D and Stereo/3D. Try an unlimited number of versions without having to render each time.</p>
<p><strong>Digital tools for the entire post-production workflow</strong> &#8211;  SCRATCH delivers real-time data management, to dailies playback and review, extremely flexible conform, advanced color grading, unlimited versioning, titling, compositing, finishing and mastering to a variety of formats, SCRATCH is your one-stop solution throughout the entire post-production pipeline.</p>
<p><strong>Elegant integration with editorial systems </strong> &#8211; SCRATCH features native MFX and DNxHD support, as well as AAF import and ALE transfer. And because SCRATCH is Interplay and Unity/Isis aware, it fits perfectly into your Avid workflow. Meanwhile, support for FCP XML and ProRes read and write* make SCRATCH the ideal companion to Final Cut Pro or mixed editorial pipelines.</p>
<p><strong>Fast, and highly interactive</strong> &#8211; SCRATCH delivers the raw performance that inspires a new level of collaboration with your clients. Play and review multi-resolution shots side-by-side and in real-time. Experience incredibly fluid, responsive grading and finishing sessions, and use the time you save to refine your scenes and create the looks that set you apart.</p>
<p><strong>Unmatched flexibility.  SCRATCH is highly extensible</strong> &#8211; Seamlessly integrate with other tools in your workflow such as Nuke, extend dailies sessions for remote review and comment or create the kind of automated workflows and client tools that, until now, only the biggest facilities could afford.</p>
<h3>SCRATCH Lab™</h3>
<p><a href="http://www.assimilateinc.com/products-scratch-lab-overview">SCRATCH Lab</a> is the industry’s only comprehensive, end-to-end digital lab system designed to combine incredibly effortless media and shot management with real-time playback up to 5K resolutions and powerful automation capabilities, all into one fast, intuitive tool.</p>
<p><img class="alignright size-full wp-image-6863" title="SCRATCHLab-OnLocation-web" src="http://www.thx.com/files/2011/10/SCRATCHLab-OnLocation-web.png" alt="" width="616" height="334" /></p>
<h4>SCRATCH Lab Benefits:</h4>
<p><strong>SCRATCH Lab is fast</strong> &#8211;  Either on-set, or in VFX, SCRATCH Lab delivers the performance you need to hit the tightest deadlines.</p>
<ul>
<li>Review and playback full resolution shots in real time</li>
<li>Sync audio to timecode or clap</li>
<li>Apply sophisticated color grades interactively in real-time</li>
</ul>
<p>Output to multiple deliverables simultaneously</p>
<p><strong>Unify your camera formats</strong> &#8211; SCRATCH Lab’s unique CONstruct™ view of your shots supports side-by-side loading of any camera format at any resolution &#8211; even mix 2D and Stereo/3D. Organize jobs and set looks &#8211; including sophisticated color grades. Try an unlimited number of versions without the need to ever render. In addition, SCRATCH Lab’s multilayer timeline supports even the most intricate EDL’s and now includes AAF and FCP XML conform.</p>
<h4>Effortless media and shot management.</h4>
<ul>
<li>SCRATCH Lab is optimized for DPX, OpenEXR and RAW formats, so you can confidently load any combination of format, resolution and colorspace into a timeline. In addition, Lab is fast enough to play back resolutions up to 5k in real time.</li>
<li>SCRATCH Lab’s unique CONstruct™ view allows you to seamlessly manage an unlimited number of previous versions and plates from a shot on a single timeline. This unparalleled level of shot management saves huge amounts of time in review, while instant “what if’s” keep the creative process flowing smoothly. Meanwhile, Lab’s Dual View mode provides immediate switching between 3D and stereo/3D playback.</li>
<li>SCRATCH Lab’s XML support means you can smoothly integrate with even the most complex media database to automatically associate the media and load it into the required slots and layers in the CONstruct. This takes the guesswork out of loading thousands of media clips per day regardless of format, CODEC or resolution.</li>
<p><strong>One-of-a-kind creative review tools</strong> &#8211; Only SCRATCH Lab elevates the creative process by offering an innovative “sticky notes” feature that allows any reviewer to add pertinent information about any file so that anyone, at any stage of the process, can open the file and read the comment. Moreover, full HMTL support allows reviews to happen in your theater or anywhere in the world.</p>
<p><strong>Powerful automation</strong> &#8211; SCRATCH Lab can be easily automated to reclaim hours of time performing even the most difficult repetitive tasks. From automatically correcting aspect ratios to correcting frame offsets to even selectively applying LUTs based on file type, Lab is the most flexible VFX dailies tool on the market today.</ul>
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